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¡¡¡¡ÆÀ¼Û£ºÒ»Á÷ÖÐ

¡¡¡¡¡¶ÃÜÊÒÍÆÀí½Ü×÷Ñ¡¡ª¡ªÅ·ÃÀ¾í¡·¶Áºó¸Ð(°Ë)£º¡¾‡å¡¿Ã»Âòµ½ÊéµÄ±»ÆÈ¶ÁÔ­ÎÄ

¡¡¡¡ÃÕ¶·Åñ²»³öµç×Ӱ棬ûÄÜÂòµ½ÊéµÄÎÒ¾ÍÖ»ÄܶÁÔ­ÎÄ¡£ÒÔÏÂÐĵã¨ÆäʵËãÊDZ¸Íü¼£©×ª×ÔÎҵĵØÏ¿ռ䣬½â´ðÒѱ»Â¥Ö÷ºÍг£¬ÀíÂÛÉϲ»Ð¹µ×¡£¹ØÓÚѯÎÊÒëÎÄ·½ÃæµÄ¸ÐÏ룬Çë˽ÏÂÎÊ¡£

¡¡¡¡*The First Locked Room, by Lillian de la Torre (1950)

¡¡¡¡ÕâÆª¹ÊÊÂÏÔȻûʲô¿É¶ÁÐÔ£¬Î¨Ò»¿É¹óµÄÊÇ£¬ÕâÆª×÷Æ·ºÅ³ÆÆäÖÐËùÓжԻ°¶¼ÊÇÀ´×ÔÓÚµ±ÄêµÄ¾í×Ú£¬Ò»×Öδ¸ü¸Ä¡£ÁíÍâÕâÊÓºõÒ²ÊÇÏÖʵ¼Ç¼ÖÐ×îÔçµÄÃÜÊÒɱÈË£¬µ«¿ÖÅÂÒ²Ö»ÓлáÑо¿Õì̽С˵ʷµÄÈË»áÔÚºõÕâÖÖÊ¡£

¡¡¡¡×÷Õß±¾Éí¾ÍÊÇÒ»ÃûÌØÏ²»¶Ð´ÀúÊ·ÍÆÀíµÄÈË£¬¶ø±¾Æª¹ÊÊÂÖÐÓÃÁËÐí¶à¹Å´Ê¡£¹ÊÊÂÖÐ90%¶¼ÊÇÐðÊöʼþ£¬×îºó½â˵È˲Ÿø³ö×Ô¼ºµÄ½â´ð¡£½â´ð¼òµ¥£¬µ«Ò²»¹ËãºÏÀíµÄ½âÊÍÁË¡°Í¬Ò»·¿¼äÄÚÈýÃû±»º¦ÕßÈ´³öÏÖÁ½ÖÖÓöº¦·½Ê½¡±¡£

¡¡¡¡Ö»ÊÇÎÒ²»Ã÷°×£¬Õâ´°»§¾¿¾¹ÊDz»ÊÇ×°ÁË´°Ìõ£¨×°ÁËÓÖÈçºÎ´òÆÆ²£Á§½øÈ룿£©£¬ÄǸöͻȻÌáµ½µÄÍÐÄᡤΤÀÕTony WellerÊÇÄÄλ·ÈË£¿×÷ÕßδÄܽâÊÍÃÜÊҵıØÒªÐÔ£¡Ð×ÊÖΪºÎҪ˩ÉÏÕýÃÅ£¿ÄѵÀÒª¶ÁÕß×ÔÐнâÊÍΪºÎҪ˩ÉÏ£¿

¡¡¡¡×ܽ᣺ÕâÆª¹ÊÊÂÎÒÖÐÎÄÊÔ¿´ºÍÓ¢Îİ涼¸÷¿´ÁËÒ»±é£¬²»µÃ²»Åå·þÒëÕßbobo¾ÓÈ»ÓÐÄÍÐÄ·­Òë³öÕâÖÖ¹ÅÎÄ¡£»°Ëµ¼ÈÈ»Èç´Ë£¬ÄÇNewton NewkirkµÄ¡¶Õì̽ҵµÄÆðÔ´Origin of the Detective Business¡·¿ÉÕæËãÊÇ¡°×î³õµÄ·¸×ÁËOrZ¡£

¡¡¡¡*The Problem of the Emperor¡¯s Mushrooms, by James Yaffe (EQMM, Sep 1945)

¡¡¡¡¡°µ«ÎÒ²»Ã÷°×ÄãΪºÎÒª¶ÔÎÒÌá¼°´Ë°¸¡£ÕâÀïÃæ¸ù±¾Ã»Óв»¿ÉÄÜ·¸×ïѽ¡£ -by ¹ÊÊÂÖ÷½Ç±£ÂÞ¡¤µÀ¶÷£¨Paul Dawn£©¡±

¡¡¡¡ÕâÊÇ×÷Õß×Ô¼ºÔÚͲÛÂð£¿×î³õÎÒÊǰѱ¾Æªµ±³ÉÀúÊ·ÍÆÀí¿´µÄ£¬²»¹ýºóÀ´Ìý˵ÆäʵÊÇΪÁËÑ¡¶¾É±²ÅÊÕ¼µÄ¡£ÁÁµãÔÚÓÚ×÷Õß°Ñ2000ÄêǰµÄÃü°¸ÓëÏÖ´ú¸øÇÉÃîµÄÁ¬ÔÚÒ»Æð£¬Ò»¸öÇÉÃîµÄwhydunit£¨why ask£¿£©µÄ½á¾Ö¡£

¡¡¡¡*Slaughterhouse, by Barry Longyear (AHMM, Jul 1979)

¡¡¡¡¿´ÁËÐí¶à¹·Ñª»úеÃÜÊÒºó£¬ÄѵÃÒ»¼ûÈç´Ë¼ò½à´´ÐÂµÄ¹î¼Æ£¬ÔÚ1979ÄêÒ²ËãÊÇÒ»¸ö´´¾Ù°É¡£Çá΢ÄÔ²¹£¬Èô¸øÍ¼¾Í¾ÍºÜºÃÁË¡£

¡¡¡¡*Bones for Davy Jones, by Joseph Commings (1953)

¡¡¡¡¶ÁµÄʱºò¾Í¾õµÃÕâ¹ÊÊÂÉ趨ÏÞÖÆ±È½Ï¶à£¬»¹ÐÄÏëÕâ¹Êʽâ´ð×îºÃ²»ÒªÊÇÎÒµÄÖ±¾õ³õÏë¡£½á¹ûÊÖ·¨¹ûÈ»¾ÍÊÇÎҵijõÏë¡£µ«ÊÇÐ×ÊÖµÄËø¶¨»ù±¾ÉϾÍÊÇΪÁË×ÔÔ²£¬ÆäËûµØ·½Ò²ÓÐbug¡£×÷ÕßûÊ·ÇÒªÈÃÖ÷½Ç˵ÄÇô¶àÙµÓïÀ´Í¹ÏÔÖ÷½ÇµÄÏç´å»°£¬¼ÓÉÏÄÇô¶àº½º£ÊõÓÎÒ¿´µÄµ°ÌÛ°¡¡£

¡¡¡¡*By an Unknown Hand, by John Sladek (1972)

¡¡¡¡ËÄÖØÃÜÊÒ¡ªÃÅ´°·âËÀ¡¢´óÃÅËø×¡ÉÏÁË·ÀµÁÁ´µÚÒ»ÖØ£»ÃÅÍâÓÐÈË¿´ÊصڶþÖØ£»Â¥ÌÝ+µçÌÝûÈËʹÓõÚÈýÖØ£»´óÌü±£°²¼àÊÓµÚËÄÖØ¡£ÊéÖл¹ÆÆÁ˸öᳬÄÜÁ¦ÕßµÄÏ··¨¡£¶øÅ£²æÖ®´¦ÔÚÓÚÕâ¸öÏ··¨µÄºËÐÄÓëÃÜÊÒµÄÏàͬ£¬¿´À´×÷ÕßÊÇÍêÈ«²»Å¶ÁÕßÊÂÏÈÆÆ½âÃÜÊÒ¡£¡£¡£¡£

¡¡¡¡ËäȻȷʵ±ÈPhinÔç½â¿ªÁËÃÜÊÒÖ®ÃÕ£¬µ«ÆäºËÐÄ¹î¼ÆÔÚ***£¬»òÊÇ***µÈÍíÆÚ×÷Æ·Öж¼Óùý£¬ËäÈ»ÊDz»ÊÇÕâÆªÔ­´´»¹²»ºÃ˵£¬µ«¹î¼Æ×éºÏÆðÀ´µÄЧ¹û²»´í

¡¡¡¡*The Impossible Murder of Dr. Satanus, by William Krohn (EQMM, Apr 1965)

¡¡¡¡¿´¹ýijÈË·ÖÎö˵¶Á¶àÁËÍÆÀíС˵»áʹÈ˱䱿¡£È·Êµ£¬ÒòΪÔÚ¶ÁÕâÆª×÷Ʒǰ£¬ÎÒ¶Á¹ýµÄÆäËûÍíÆÚ×÷Æ·Ôç¾ÍÓÃÉÏÁËÕâ¸öÐÄÀï¹î¼Æ¡£¡£¡£¡£ÁíÍâÄǸöŮӶºÍǰ̨һ²»Ð¡ÐľͻáÁîÐ×ÊÖµÄʹ¼Æ»®Ê§°Ü¡£

¡¡¡¡*The High House, by Hake Talbot (1948)

¡¡¡¡ºËÐÄ¹î¼ÆÊÓºõÊǸöÓÃÀõÄÊÖ·¨£¬ÁíÍâ³öÏÖÁËÂ¥Ö÷ÏÖÔÚ¶¼Ã»¿´¶®µÄ¸ß¿Æ¼¼ÕâµãÀ´Ëµ£¬ÎÒ¾õµÃºÜ²»Ó¦¸Ã¡£´ËÍâijٶÔÓÚ׹¥¾àÀëÕâµãµÄ˵·¨·Ç³£²»ºÏÀí£¨ËäÈ»Ëý¸ù±¾²»ÊÇÕì̽½ÇÉ«£©¡£²»¹ýÕâÆªÊÇÉÙÊýÂ¥Ö÷Ū²»µ½Ô­ÎĵĹÊÊ£¬¿´¿´Ò²Ëã»Ø±¾ÁË¡£

¡¡¡¡*Death and the Rope Trick, by John Basye Price (1954)

¡¡¡¡×ܽ᣺²»¸øÍ¼ÊµÔÚÊÇÌ«¹ý·ÖÁË£¬Â¥Ö÷ÎÒÄÔ²¹Á˰ëÌì½á¹ûûÄܲ¹³ö¸ö³¡¾°¡£µÈÄÄÌìÓпÕÒÀ×ÅÔ­ÎÄ»­¸ö3DͼºÃÁË¡£¡£¡£

¡¡¡¡In the centre were four iron poles, six feet high, set in the ground so as to form a twenty-foot square. The poles were connected at the tops by four wires designed to hold curtains. ¡¶--»¹ÊÇûÄÔ²¹³öÀ´

¡¡¡¡ËãÊǸ߿Ƽ¼·¸×

¡¡¡¡*The Long Way Down, by Edward D. Hoch (AHMM, Feb 1965)

¡¡¡¡Ò»Ö±ÒÔΪ¶ÌÆªÍÆÀíÖ®Íõ£¬°®µÂ»ª¡¤D¡¤»ô¿Ë×îºÃµÄÒ»¸ö¹ÊÊÂÊÇÆä±ÊÏÂsamÒ½ÉúµÄһƪ¡£¿É×î½üÌýÈË˵ÕâÆª±ÈsamÒ½Éú»¹Ôç³öµÄÒ»¸ö·ÇϵÁйÊʺÜÅ£²æ£¬ËùÒÔ¾ÍÄÃÀ´¿´¿´¡£

¡¡¡¡Ö»ÊÇ»¨ÁË´óÔ¼Ò»Ììĥĥ²ä²äµØ¿´ÍêÕâ¸öÈôÒë³ÉÖÐÎÄÖ»ÒªÒ»¸öСʱµÄС˵ºó£¬ÎÒ¾õµÃÎÒ±»Æ­ÁË¡£

¡¡¡¡ºÃ°É£¬È·Êµ£¬Ã»´í£¬ÀïÃæµÄÒ»¸ö¡°¼ÙÉèÍÆÀí¡±±»ÈÕ±¾Ä³¸öС˵¼ÒÓÃÔÚij¸ö2011Äê³ö°æµÄij¸ö¶ÌƪС˵ÀïÁË¡£¸Ã¹ÊÊ»¹±»¸Ä±à³Éij¸öÈվ硣¡£¡£¡£

¡¡¡¡¿ÉÊÇ£¬×îÖյĽâ´ð£¬À×È˰¡£¨ÕâÖÖ±¼À£¸Ð!£©¡£ÒòÎªÆÆ°¸µÄÒ»¸ö¹Ø¼ü£¬ÎÒÈÏΪ·ÇÓ¢ÓïϵµÄ£¬ÉõÖÁ·ÇÃÀ¹ú±¾ÍÁµÄÈËÊÇÏë²»³öÀ´µÄ¡£ÕæÏëÖªµÀÒë³ÉÖÐÎÄ»áÈçºÎ¡£¡£¡£¡£

¡¡¡¡:ÕâÆª±»¸Ä±à³É¡¶ÂóÃÀÂ×̽³¤¡·µÄÒ»¼¯

¡¡¡¡*The Impossible Theft, by John F. Suter (EQMM, May 1964)

¡¡¡¡¹î¼Æ»¹´ÕºÏ£¬ËäÈ»ÎÒÏëµ½µÄÊǰѶ«Î÷****ÉÏ¡£¡£¡£¡£²»¹ýÊéÖеÄÕâÖÖ¼òµ¥¹î¼ÆÔÚ****ÖÐÊÇÖ±½ÓÄÃÀ´¸ãЦÓõġ£ÆäËûÏñÊÇTappÒâÓû·´»Úʱ£¬ChisholmÁÙʱӦ±ä³öµÄÐÄÀï²ßÂÔΪ×÷Æ·Ìí¼ÓÁ˵ãÐüÄî¡£Gfinger˵£¬¹ÊÊÂÖжà´ÎÇ¿µ÷¡°Steal¡±Õâ¸ö´Ê£¬ÊÇ×÷ÕßÓÃÀ´ÖÆÔìÐÄÀíäµãµÄ¹î¼Æ£¬·´ÕýÎÒÊÇûעÒâµ½Õâµã(ºÃ°É£¬ÎÒÊÇ¿´Íêºó²ÅÃ÷°××ʼÁ½ÐеÄTheftÊÇָʲô)¡£Ö»ÊÇÄǸöconvention badgeÎÒµ½ÏÖÔÚ¶¼Ã»¿´¶®³öÊÇʲôÑù×ӵĻáÕ¹Ö¤£¬‡å¡£

¡¡¡¡*The Locked Room to End Locked Rooms, by Stephen Barr (EQMM, Aug 1965)

¡¡¡¡***µÄ***ÖÐÒ²ÓÃÉÏÕâÖÖ¹î¼Æ¡£²»¹ýÆäʵÕâÁ½ÖÖ³ÊÏÖ·½·¨¶¼ÓеãÖ½ÉÏ̸±ø¡£±ÈÈç˵±¾ÆªµÄ*Ó¦¸ÃÊÇ*²»¸É¾»µÄ£¬¶ø*µÄ*Ò²²»Ó¦¸Ã»áƽ¡£

¡¡¡¡±ÈÆðÕâЩ£¬ÎÒ¸üϲ»¶×÷Õß¶ÔÃÜÊÒ×÷Æ·µÄͲÛ....

¡¡¡¡¡°(The) escape appears impossible only because of the author¡¯s incomplete and therefore unfair de£ó£ã£ò£é£ð£ôion of the circumstances.¡±

¡¡¡¡*The Glass Bridge, by Robert Arthur (AHMM, Sep 1979)

¡¡¡¡¾õµÃ±¾¹ÊʶàÉÙ»¹ÊÇǷȱÁ˹«Æ½ÐÔ£¬ÒªÊÇ×÷Õß°Ñɽ¹È¾ÍÔÚ×÷Õß¼ÒÏÂÃæ£¬ÒÔ¼°´²µ¥µÄÊÂ˵Çå³þµã£¬¹À¼ÆËùÓÐÈ˶¼²Âµ½½á¾ÖÁË¡£ËäÈ»¶ÁµÄʱºò¶Ô¹î¼ÆµÄ³õ²½Ïë·¨ÊÇÓÐÁË¡£ ¡­¡­ ´Ë´¦Òþ²Ø£º1277×Ö£¬È«²¿ÎĵµÄÚÈÝÇëÏÂÔØºó²é¿´¡£Ï²»¶¾ÍÏÂÔØ°É ¡­¡­

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